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In Jus’this
An exhibition by the 9th Tierney Fellow Celimpilo Mazibuko
2015
In Jus’this is a photography documentary project by Celimpilo Mazibuko that confronts Historic Land injustice by examining human settlement in South African townships, particularly in relation to post-1994 urban planning and township development that came in to being as part of the Reconstruction and Development Programme (RDP). Mazibuko’s focus is on documenting ‘’development’’ in his community, Palm Ridge, Katlehong, through personal experiences of human settlement and spatial constraints, questioning the reach of this housing policy in the daily lives of residents 23 years later.
The Reconstruction and Development Programme (RDP) was introduced in 1994 after the first democratic elections. The fundamental implementation of this economic policy was to alleviate poverty in black communities and “previously disadvantaged” individuals by providing free infrastructure and service delivery such as low cost houses, electricity and running water. While the RDP did not last, the term is still being used to refer to low cost housing developments to present.
Mazibuko was born and raised in the informal settlement of Tsietsi, near Katlehong, on the east rand of Johannesburg. After 20 years in Tsietsi, his family was notified that there was a space identified in Palm Ridge, Katlehong for low cost housing developments for most of his community to inhabit. For Mazibuko, “RDP” houses and settlements have become new ways of breaking up communities. As with the experience of his family, moving meant relationships that had been nurtured over 20 years with neighbours came to an end. Families move into new spaces and find themselves moving in with other families with similar backgrounds but from other areas.
Mazibuko questions the notion of “space” in relation to the developmental aims of ‘RDP’ housing. In his experience ‘RDP’ allocates limited land for one family; 40 square meters containing 4 rooms: 2 bedrooms, a kitchen and a bathroom. Mazibuko argues: “Most of these families have applied for these houses since 1994 and by the time they receive the houses the family has already extended, compelling families to build shacks in the backyard space that serves as an alternative to those being troubled by the limited space provided for them. Some of the families prefer to remain in a shack and allow people to rent their property so they can earn a living out of that monthly rental fee. The aim of dismantling informal settlement reduction in the township has not been fully realised.”
In Jus’this photographically raises these complexities, which Mazibuko’s community faces on a daily basis, speaking to how the community feels about being in a different environment. In Jus’this documents Palm Ridge at the intersection of daily life and development infrastructure, settlement and re-settlement.
The Reconstruction and Development Programme (RDP) was introduced in 1994 after the first democratic elections. The fundamental implementation of this economic policy was to alleviate poverty in black communities and “previously disadvantaged” individuals by providing free infrastructure and service delivery such as low cost houses, electricity and running water. While the RDP did not last, the term is still being used to refer to low cost housing developments to present.
Mazibuko was born and raised in the informal settlement of Tsietsi, near Katlehong, on the east rand of Johannesburg. After 20 years in Tsietsi, his family was notified that there was a space identified in Palm Ridge, Katlehong for low cost housing developments for most of his community to inhabit. For Mazibuko, “RDP” houses and settlements have become new ways of breaking up communities. As with the experience of his family, moving meant relationships that had been nurtured over 20 years with neighbours came to an end. Families move into new spaces and find themselves moving in with other families with similar backgrounds but from other areas.
Mazibuko questions the notion of “space” in relation to the developmental aims of ‘RDP’ housing. In his experience ‘RDP’ allocates limited land for one family; 40 square meters containing 4 rooms: 2 bedrooms, a kitchen and a bathroom. Mazibuko argues: “Most of these families have applied for these houses since 1994 and by the time they receive the houses the family has already extended, compelling families to build shacks in the backyard space that serves as an alternative to those being troubled by the limited space provided for them. Some of the families prefer to remain in a shack and allow people to rent their property so they can earn a living out of that monthly rental fee. The aim of dismantling informal settlement reduction in the township has not been fully realised.”
In Jus’this photographically raises these complexities, which Mazibuko’s community faces on a daily basis, speaking to how the community feels about being in a different environment. In Jus’this documents Palm Ridge at the intersection of daily life and development infrastructure, settlement and re-settlement.
About Celimpilo Mazibuko
Celimpilo Mazibuko was born in 1996 in Natalspruit Hospital in Katlehong and grew up in Palm Ridge, Germiston. He studied visual art in high school where his love of photography and art began. Since 2012 he has devoted all of his time to photography training and practice.
In 2012 he was awarded a photography certificate for participating in a project called Of Soul & Joy in, Thokoza, which aimed at providing the young township generation with the opportunity to tell visual stories through photography. In 2013 he was featured in a group exhibition at iThuba Art Gallery. His work was also featured in numerous group exhibitions including 2014 Addis Foto Festival, 2015 F-stop Magazine and the Turbine Art Fair in Johannesburg. Mazibuko has studied photography at Market Photo Workshop and is currently completing the Photojournalism and Documentary Photography Programme at the same institution.
About The Tierney Fellowship
About The Tierney Fellowship at the Market Photo Workshop The Tierney Fellowship was created in 2003 by The Tierney Family Foundation to support emerging artists in the field of photography. The primary goal of the Fellowship is to find aspiring artists who will be tomorrow's leaders and to assist them in overcoming challenges that photographers face at the start of their careers.
Tracy Edser, the first recipient of The Tierney Fellowship at the Market Photo Workshop, exhibited her body of work in a solo exhibition, Amelioration. Mikhael Subotzky mentored Edser. Simangele Kalisa, the second recipient, exhibited her body of work at a Joint Tierney Exhibition at the Substation Gallery, Wits University, with fellows Monique Pelser and Ariane Questiaux. Jo Ractliffe mentored Kalisa. Thabiso Sekgala (1981-2014), the third recipient, exhibited a body of work entitled Homeland at The Photo Workshop Gallery in April 2011. Mikhael Subotzky also mentored Sekgala. Mack Magagane, the fourth recipient, exhibited his work called ...in this city, a reflection of Johannesburg city by night. The exhibition opened in April 2013 at The Photo Workshop Gallery. Jo Ractliffe also mentored Mack Magagane. Lebohang Kganye, the fifth recipient, exhibited her work Ke lefa laka, a research into her family history using family photographs, testimonies from family members as well as personal narratives. Nontobeko Ntombela and Mary Sibande mentored Kganye. Sipho Gongxeka was the sixth recipient. He was mentored by the renowned South African photographer Pieter Hugo. Gongxeka’s exhibition, Skeem’ Saka, opened at The Photo Workshop Gallery in July 2014. Skeem’ Saka aims to create a dialogue with the audience on issues relating to masculinity; how men view themselves and the perception society has on the male figure. Matt Kay was the seventh recipient of the Tierney Fellowship at the Market Photo Workshop. Kay was mentored by Market Photo Workshop founder and renowned South African photographer David Goldblatt. His exhibition The Front opened at The Photo Workshop Gallery in March 2015. The Front is an investigation, a revealing, of space. It documents the people who use the Durban beachfront. It seeks to record the rapidly changing nature of the promenade by placing a marker as to what the space is now at this point in time. Tsepo Gumbi was the eighth recipient of the Tierney Fellowship at the Market Photo Workshop and was mentored by Graeme Williams. Re-Imagining Sharpeville opened at the Market Photo Workshop Gallery in August 2015 and was a visual investigation of contemporary Sharpeville, seeking to explore themes and subjects that are overshadowed by historic Sharpeville.
See http://www.tierneyfellowship.org/ for more information
Tracy Edser, the first recipient of The Tierney Fellowship at the Market Photo Workshop, exhibited her body of work in a solo exhibition, Amelioration. Mikhael Subotzky mentored Edser. Simangele Kalisa, the second recipient, exhibited her body of work at a Joint Tierney Exhibition at the Substation Gallery, Wits University, with fellows Monique Pelser and Ariane Questiaux. Jo Ractliffe mentored Kalisa. Thabiso Sekgala (1981-2014), the third recipient, exhibited a body of work entitled Homeland at The Photo Workshop Gallery in April 2011. Mikhael Subotzky also mentored Sekgala. Mack Magagane, the fourth recipient, exhibited his work called ...in this city, a reflection of Johannesburg city by night. The exhibition opened in April 2013 at The Photo Workshop Gallery. Jo Ractliffe also mentored Mack Magagane. Lebohang Kganye, the fifth recipient, exhibited her work Ke lefa laka, a research into her family history using family photographs, testimonies from family members as well as personal narratives. Nontobeko Ntombela and Mary Sibande mentored Kganye. Sipho Gongxeka was the sixth recipient. He was mentored by the renowned South African photographer Pieter Hugo. Gongxeka’s exhibition, Skeem’ Saka, opened at The Photo Workshop Gallery in July 2014. Skeem’ Saka aims to create a dialogue with the audience on issues relating to masculinity; how men view themselves and the perception society has on the male figure. Matt Kay was the seventh recipient of the Tierney Fellowship at the Market Photo Workshop. Kay was mentored by Market Photo Workshop founder and renowned South African photographer David Goldblatt. His exhibition The Front opened at The Photo Workshop Gallery in March 2015. The Front is an investigation, a revealing, of space. It documents the people who use the Durban beachfront. It seeks to record the rapidly changing nature of the promenade by placing a marker as to what the space is now at this point in time. Tsepo Gumbi was the eighth recipient of the Tierney Fellowship at the Market Photo Workshop and was mentored by Graeme Williams. Re-Imagining Sharpeville opened at the Market Photo Workshop Gallery in August 2015 and was a visual investigation of contemporary Sharpeville, seeking to explore themes and subjects that are overshadowed by historic Sharpeville.
See http://www.tierneyfellowship.org/ for more information